Thursday, November 30, 2006

FIVE REASONS TO DONATE TO ROOFTOP FILMS

1. You are a vital part of the Rooftop Films community
2. We are the only festival that shows new undistributed films outdoors
3. Rooftop shows are not just film screenings—they are unforgettable events

4. We show many of the best new short films in the world
5. We get more done with less money than any other film festival.


If you are a film lover, you are going to read a lot of "best of" lists in the next 5 weeks, but none of those lists actually improve film culture. The list below, however, will hopefully remind you that Rooftop Films is a unique and vibrant part of New York's cultural landscape that can only exist with your support. Even a donation of $25 could ensure that Rooftop can continue to screen new, genuinely independent films against the New York skyline for years to come. For donations of $50 or more we’ll send you 4 tickets to the Summer Series 2007, and for $100 or more and you'll receive 4 tickets and a limited-edition Rooftop DVD. Donate more and get even more thanks and treats! (details on our website). So here are 5 biggest reasons that you should make a donation to support Rooftop Films:
1. YOU are a vital part of the Rooftop Films community
You are part of one of the most dynamic film communities in the world. You came to a show, submitted your film, volunteered, took a class, or rented our equipment because Rooftop is not just another festival that puts together film screenings and parties. Rooftop events form the foundation of a community of filmmakers, artists, musicians, film fans, folks from around the city and around the world.If you care about this community, help keep it alive. Without donations from people like you who care about Rooftop, we wouldn’t be able to keep going year after year. If every last one of us contributed just $25 or $50, imagine what we could do.
2. We are the only festival that shows new, undistributed films outdoors
We’re big film fans and are thrilled to see so many outdoor film screenings popping up these days. But Rooftop is the only festival that uses the appeal of outdoor screenings to build audiences for films that might otherwise never be seen. Some other outdoor screenings also draw big crowds and might have an easier time getting corporate sponsorships, but only Rooftop supports a community of emerging filmmakers and artists. Outdoor classics are great, but until Cary Grant starts appearing in contemporary low-budget films, Rooftop will be the only festival that brings the underground outdoors.
3. Rooftop shows are not just film screenings—they are unforgettable events.
When we screened a film about an extraordinary work of music composed for the organ, we showed it in one of the most beautiful churches in New York, followed by a live organ performance; when we screened a program of short documentaries about Brooklyn, we screened them on a roof in the middle of the Brooklyn Navy Yard with a perfect view of the Brooklyn and Williamsburg Bridges, preceded by a great local jazz band. It is rare to experience moments like these, when our communities have the opportunity to come together in a unique, dramatic and quintessentially urban setting. But when they do happen, they remind us of why we live in New York City—and why no place else is quite like it.
4. Rooftop Films shows great feature films and the best new short films in the world
We don't like to brag, but it's true. Rooftop Films gets more short film submissions than almost any other film festival IN THE WORLD. Last year, Rooftop received over 2,000 short film submissions from 55 different countries--more shorts than Cannes, Toronto, Slamdance, Venice, SXSW and almost every other major festival. With that many films to choose from, we are able to select an amazing array of festival hits and never-before-seen work. Rooftop has some of the best shorts programs in North America partly because only Palm Springs, Sundance and Tribeca receive as many short film submissions as Rooftop does. We don't mind doing the work necessary to track down and watch all those films, but we need your support to do it, since those other festivals have budgets of many millions of dollars. Which brings us to our final point…
5. We get more done with less money than any other film festival.
Dollar for dollar, Rooftop Films is the most effective festival in the world, so if you make a donation to Rooftop you know that your money will be put to good use. Our tiny staff works personally with every one of our venues, we transport and set up our own equipment, chairs and tents, we teach our own classes, do all of our own publicity, and we will watch all of the 2,500 films that will be submitted this winter. It's a lot of work, but we love it, and need your donations to allow us to keep working to plan next year’s events.

But we can't keep doing it without your help,
so please make a tax deductible donation to Rooftop Films today so that we can continue to keep doing what we do best, and so that you can know that there will be great new movies on rooftops in New York, every weekend, every summer.

Wednesday, November 22, 2006

FAKE TRAILERS!












I stumbled upon a few really great trailer remixes as I sifted through selections from Montreal's Fantasia Festival. My two favorites are a
West Side Story/28 Days Later mash up: West Side Story: The Edit
and the best of the bunch was this
Toy Story 2/Requiem for a Dream combo. I suppose I will eventually get tired of fake trailers, but for now...enjoy

Monday, November 13, 2006

ROOFTOP SHORTS:
HANDGUN




















Check out this great short short (click the link and then click on "movies") created by Alex Minick and Sam Crees and also check out all of the rest of their bizarre art, some of which doesn't include aliens made out of hands.

Tuesday, November 07, 2006

EXCITING SCREENING & CONCERT
Thursday, November 9, 7pm
Apparition of the Eternal Church

WATCH A TRAILER

Let me tell you why I'm so excited for this event: I am a devout atheist anticipating a pseudo-religious experience on Thursday. We're presenting an austere film in a majestic setting, an astonishing piece of music and complex ideas about it, an other-worldly work in midtown Manhattan.

In this hypnotic film, 31 fascinating people -- playwrights, poets, Wigstock drag queens, Scissor Sisters, professional models, documentary filmmakers, pianists and performance artists -- put on headphones and discuss a piece of music director Paul Festa plays for them. Some describe childhood memories. A man who once played the piece compares its complexity to DNA. Harold Bloom (Yale literary critic) says listening to this music is like being inside Dante's Inferno. John Cameron Mitchell (director of "Hedwig and the Angry Inch" and "Shortbus") is so distraught he nearly takes a knife to his own ears. And poet and cultural critic Wayne Koestenbaum says experiencing Messiaen's piece is "like being f***ed by light."

The film is imbued with an intense sense of anticipation: What is the music, and when will we hear it?

The music is Olivier Messiaen's composition for pipe organ Apparition de l'eglise eternelle. You will only get a taste of it in the movie.

And then you will be bombarded by it on the largest musical instrument in New York City, the majestic organ at St. Bartholomew's Cathedral. You will be transported, elevated, shocked and inspired. At Rooftop Films, we are always looking for inventive and unique ways to present cinema, and this combination of film, music and architecture is sure to be a once-in-a-lifetime experience for all those who attend.

Get the full details HERE.

Tickets are $10 / $25 / $35 / $100, available HERE and at the door on the day of the show.
+ The $35 and $100 tickets also include admission to a reception after the film where you can mingle with the participants and the filmmaker and enjoy free refreshments sponsored by Dewar's.
+ A one-year (46 issues) subscription to New York magazine (valued at $9.97) will be included with any $25 or higher ticket purchase.
ROOFTOP SHORTS:
BITEY OF BRACKENWOOD

Adam Philips is an extremely talented, imaginative and prolific animator from down under whose animation has won awards at major festivals all over the world. He has created a fantasy universe populated by Binbongs, YuYus, Prowlies and trolls and you can watch them battle it out and play pranks on one another at his awesome website. The Bitey of Brackenwood series is our favorite, but all of his work is really great and funny and you can also check out his other animation, including his new 30 shorts in 30 days project on his website.

Wednesday, November 01, 2006

ROOFTOP SHORTS:
CRAZY EYES DOLPHIN VS. THE MAD COWS














Ian Stewart made this film after spending a summer working as a camp counselor for a bunk full of boys who would regularly collaboratively improvise short stories. He recorded a bunch of their tales with his DAT, picked the best one and then animated their madness in his final year at RISD. You can watch the film over at Salon's Video Dog page.